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"It's become rather an overrated classic," she told me in 1990. It's a good record." I don't think she was being deliberately perverse.

She just had a shrewder perspective on her own work than anyone else.

The way Dusty Springfield’s crystal-clear voice veiled sensuality, Karen’s warm, sweetly resonant instrument revealed loneliness and dark contemplation.

There isn’t and won’t ever be a singer like her, and for that reason her music feels astonishingly timeless, even in its most maudlin balladry.

For these reasons, most serious female pop singers know, and even closely study, the Dusty canon of classic recordings from the 1960s and 1970s.

Mary O'Brien was born with the voice that would make her our greatest female pop singer, but everything else that went to make the icon of Dusty Springfield she created herself.

Adam Sweeting investigates It has become a no-brainer for fans and critics to describe Dusty In Memphis as one of the greatest albums of all time.

Peggy Lee was a Grammywinning singer and Oscar-nominated actress with hits including Fever and Why Don't You Do Right?

, who inspired singers from Dusty Springfield to Madonna.

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